Allen & Heath DLive C-Class

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DLive Mixer bekommen Verstärkung: C-Class

dlive S3000
Eineinhalb Jahre nach Auslieferung der ersten S-Klasse dLive Digitalmischpulte wir jetzt die C-Klasse vorgestellt.Sie bieten nahezu die gleichen Features wie die S-Klasse, jedoch mit geringerem Platzbedarf. Ideal für AV Anwendungen, Installationen, kleineren Veranstaltungen, Kirchen, Theater oder Clubs.


Beide Systeme - S-Klasse und C-Klasse - können beliebig miteinander kombiniert werden, da das Processing ident ist. Einzig die Anzahl der I/O Ports ist geringer, “ hot swapable” Netzgeräte und redundante gigaACE Ports fehlen.
Auf den C-Serie Oberflächen sind 6 analoge I/O´s, je ein AES I/O und “nur” 19 programmierbare Soft Keys.

C1500
The C1500 is the first 19” rack-mountable control Surface for the dLive MixRack. Packed in a tiny footprint are 12 faders over 6
layers, built-in audio I/O, an audio networking port, a 12″ capacitive touchscreen and the innovative Harmony UI for the fastest workflow in the industry.


dlive c1500

  • 12 faders fully assignable layout – 72 fader strips
  • Harmony UI integrates screen and wrap-around controls
  • 12” capacitive touchscreen
  • Gesture control – pinch, swipe, drag ‘n drop
  • Dedicated multi-mode EQ view
  • Configurable widget areas for Scenes, meters, FX and more
  • 19 assignable SoftKeys
  • Engineer’s Wedge and IEM fader strips
  • Comprehensive multipoint metering
  • Daylight visibility
  • USB stereo recording and playback
  • 6 XLR mic/line in, 6 XLR line out
  • 1 digital st AES3 in, 1 digital st AES3 out
  • Connection hub
  • GigaACE gigabit link to MixRack
  • DX link for I/O expansion
  • I/O Port – 128 ch 96 kHz
  • 2x Network ports
  • Wordclock BNC I/O
  • Video output

C2500
The C2500 is technically the same as above, but with a littel bigger footprint and20 faders fully assignable layout – 120 fader strips and 3 pages of 6 assignable rotaries

dlive c2500


C3500
The C3500 is technically the same as above, but again with a bigger footprint,24 faders fully assignable layout – 144 fader strips
and a second 12” capacitive touchscreen, which gives you more informastion over the system.

dlive C3500

The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP. There are different sizes of dLive MixRack available. All feature the same mix engine and can work with the full 128 channels by adding DX expanders or digital sources.

CDM32

dlive cdm32


  • 32 mic/line inputs, 16 line outputs
  • XCVI 160×64 FPGA core
  • 96kHz sample rate
  • Variable bit-depth for ultimate precision and noise performance
  • Virtually infinite mix headroom thanks to 96bit accumulator
  • Class leading, ultra-low latency at 0.7ms
  • 128 Input Channels with full processing
  • 64 Mix Outputs with full processing
  • Configurable 64 bus architecture (group, FX, aux, matrix, mains)
  • LR, LCR and up to 5.1 mains mode
  • Multiple PFLs
  • 16 RackExtra FX with dedicated stereo returns
  • 24 DCAs
  • Built-in signal generator and RTA
  • New preamp design for extra transparency
  • Unique Active PAD circuit for consistent performance with any
  • source
  • Connection hub
  • gigaACE gigabit link to Surface
  • 2x DX links for I/O expansion
  • I/O Port – 128 ch 96 kHz
  • Dedicated ME-1 48kHz port
  • 2x Network ports
  • Wordclock BNC I/O
  • Flush front panel with ultra quiet fan
  • Reversible rack ears design

CDM48

dlive cdm48

same as above, but with 48 mic/line inputs, 24 line outputs

CDM64

allen&heath

same as above, but with 64 mic/line inputs, 32 line outputs